I’ve been online for more than half of my life. What I witness was
the slowly developing global psychosis or in different words–internet
schizophrenia. I can’t help but think of cyberspace as embodying such
phenomena. Psychosis is a disconnection from reality—a state where
people may hold false beliefs or experience things that aren’t real.
Psychosis isn’t a condition itself but a term used to describe a
collection of symptoms. Similarly, the internet isn’t necessarily a
symptom, but it is a shared space that fosters collective experiences of
detachment from reality.
Intensity1 becomes both the condition of possibility and the limit of what is
sensible. As the intensity and fragmentation of internet micro-realities
grow seemingly infinite, we are increasingly exposed to sensory
detachment. This is caused by living in a state of “intensive order”—a
chaotic yet hyper-connected existence. This is not a clinical argument
about schizophrenia but rather an ethical-philosophical and
socio-political perspective.The internet is a realm of the unknown, the
intangible, the immaterial. To exist in such a space is to detach
oneself from the material world. We create multiple personalities with
one consciousness, living parallel lives while confined to a single
body. Computer fibers have become extensions of our nervous system.
Memories, dislocated and fragmented, disrupt our sense of self. At the
same time, the internet expands the possibilities of knowledge
gathering—although through selective access, mediated by passwords and
filters.
How
often do people seem confused, disoriented, detached? How often do you
feel this way? I do, quite often. I feel like my brain is displaced,
like I’m losing my sense of ground. Some people say the internet is
indescribable. Perhaps this is because it is performable. Post-truth
performative actions grow out of individual mythologies, where micro-
and viral-trends connect groups of people in a web of rapidly changing,
shared delusions.
From the shallow engagement of easily
digestible content—like cooking reels or harmless, funny, and trendy
videos—we are lured into deeper, more complex layers of media
consumption. These levels go beyond simple amusement and into the
aestheticization of attention2.
Internet aesthetics and digital folklore, steeped in an obsession with
the recent cultural past, transport our emotions into an insensible
space. By playing with a sense of familiarity, they simultaneously
comfort and alienate, pulling us toward dissociation. These carefully
constructed edits—centered on nostalgia, anemoia (the longing for a time
one has never experienced), and confusion—create an uncanny mix of
recognition and estrangement. The result is often a profound sense of
dissociation, derealization, or depersonalization, where reality feels
distant, unreal, or fragmented. We are invited, even encouraged, to
project ourselves onto these aesthetics, blurring the lines between our
true selves and the personas shaped by these visual movements. In a
world where meaning is constructed through pixels, we choose one to base
our personality on.
The word “aesthetic”
historically has been used as a noun, referring to a branch of
philosophy concerned with the study or appreciation of beauty. However,
online, the word is mostly used as an adjective to describe things like
images or spaces. But why is the term “aesthetic” even used in the first
place? It’s clearly meant to be a stand-in for “beautiful” or “pretty.”
However, something that is “aesthetic” feels different from something
that is merely beautiful. On the internet, the term “aesthetic” is
inextricably liked to the concept of a vibe. An aesthetic is not just
something you can see, it is above all something you have to feel: it is
a search for an atmosphere, a state of mind, or even a way to express
your vision of the world.3One of the most common types of aesthetics is the “core aesthetic,” which includes categories like Dreamcore and Weirdcore.
These are just a few of the most popular ones—there are plenty of other
“core” aesthetics that take everyday objects, add “core” to the end,
and create a whole new aesthetic. But is that all an internet aesthetic
is? I don’t think so. What an aesthetic truly is, in my opinion, is
something that suspends reality. It could be a regular photo with
filters that make it feel otherworldly, or something completely bizarre
and out of context. In a way, aesthetics are an escape from reality.
Derealization and depersonalization are central themes in certain
internet aesthetics. These can also make these aesthetics relatable to
an audience experiencing these conditions—whether due to trauma or
overexposure to the internet. These aesthetics externalize feelings
experienced internally, providing a visual language for the fragmented,
disoriented state of my mind. found image of dreamcore aestheticfound image of dreamcore aestheticfound image of dreamcore aestheticfound image of dreamcore / weirdcore aestheticfound image of weirdcore aeshteticfound image of weirdcore aestheticfound image of weirdcore aesthetic
Detachment
leads us inward. Existence is increasingly based on vibes, magical
thinking, and an esoteric, spiritually infused relationship with the
digital. For many, the only way to feel free is to escape. Constant vibe
creation becomes the only way to feel something. The aestheticization
of attention and vibes exemplifies what I call “internet schizophrenia”
and global psychosis. Shared delusions, constructed to solidify feelings
of detachment, are designed to help us exit reality. These experiences
aren’t limited to aesthetics but extend to the broader condition of
information itself. This immersion exists in a broader environment
already clouded by alternative facts, misinformation, and
disinformation, where competing narratives battle for legitimacy. Truth
itself has become slippery, a “truth decay” that spreads freely across
the internet. As algorithms feed us highly personalized content and
expose us selectively to perspectives that reinforce what we already
believe, the radicalization of attention accelerates. This process
doesn’t just separate individuals from one another; it also fractures
their connection to themselves. Identity is increasingly formed through
fragmented encounters with curated realities—both online and in real
life—where we relate to images and symbols more than to tangible
experiences. In this hyper-mediated world, we create inner universes
based on a shared, unspoken belief: that an image inherently conveys
meaning–a truth constructed from pixels, truths we chose to believe.
Cyberpsychosis
can be described as a psychological state or phenomenon where prolonged
immersionn in the digital realm disrupts ones perception of reality,
leading to cognitive, emotional, and existential fragmentation. A
profound disconnection between the physical and digital self. The
boundaries between what is “real” and what is “virtual” blur. Users may
create multiple online personas, dividing their consciousness between
different platforms and communities, leading to a loss of coherence in
their sense of self. The endless influx of information, notifications,
and stimuli from the internet overwhelms the brain’s capacity to
process, resulting in anxiety, confusion, and mental exhaustion. The
overstimulation from vivid, immersive, and chaotic digital environments
(social media, gaming, VR) can result in sensory detachment, making the
offline world feel dull, unreal, or disconnected. A sense of being “out
of place” in one’s own life due to the constant projection of
consciousness into the digital. This can manifest as a feeling of living
“in the cloud” rather than in one’s body. A state of repetitive
engagement with curated content (echo chambers, filter bubbles) that
narrows one’s worldview and creates the illusion of understanding while
fostering delusion or paranoia. Schizophrenic Repetitiveness – patterns
of compulsive scrolling, posting, or engagement in fragmented loops,
akin to a form of mental stasis where progress and growth are replaced
by the recycling of the same digital inputs. An inability to distinguish
between real and simulated experiences, as digital life becomes more
vivid or meaningful than physical existence. A societal condition,
ethical and philosophical challenges of digital living. Post-reality
world. The need for conscious practices to ground ourselves in reality
while engaging with the possibilities and dangers of cyberspace.
Saturated
to the maximum there’s no ground for belief. A sense of distrust is a
+1 to every information consumed online. Widespread documentation of,
and concern about, disputes over public truth claims in the 21st
century. Post-truth is not related to politics only, it rules our lives
also in private lives. Forming beliefs and building identity based on
screenshoted and distorted images brings the possibility of floating
away from the essence of self, therefore makes a foundation for
extremism. Hyperreality of the internet amplifies the constant
detachment. Constant feeling of separation of the digital and afk
worlds, where both seems to exist separate and in a manner of
unintentional neglect of the interconnectedness of them both.
Installation present during a group show in December 2024